Outlaw
When I was 9, we moved to Wheatland, Wyoming, so Mom could remarry. The man I call my dad (not to be confused with my father, who is someone very different — any man can be a father; it takes someone pretty damn special to be a dad, especially in my mind and life) scared the glitter out of me, though I don’t know that he knows that (well, until he reads this; I’m sure Mom will point it out to him). That passed by the time I was an angry, sullen, parent-scorning teenager, and disappeared completely when I grew up.
Dad has always, in my mind, been a part of one band or another. Mostly, the bands play country of one sort or another. His biggest love, though, I think, has always been Outlaw Country. For those who don’t know, outlaw country is best characterized by strong, throbbing bass lines and bright, twangy steel guitar. Sure, there are lead guitar, drums and other instruments, usually fronted by strong vocals, usually with a southern drawl to them. Some of the best examples of these are Waylon Jennings, David Allan Coe, Hank Williams, Jr., and Willie Nelson. Even when he wasn’t playing, there was usually music playing in our house, most likely Dad’s outlaw country.
Needless to say, at the time, I hated it. Did everything I could to avoid it. Now, 25 years later, I can’t get enough of it. It’s one of my comfort sounds. It means “home” to me. Safety. Happiness. It’s where my parents live.
About a year or two ago, I started gigging Dad to make me a CD (or 30) of his quintessential music. Every couple of months, I’d ask Mom if he was working on it. See, Dad’s gonna be 72 this year, and he’s got a LOT (and by a lot, I mean OMG WHOA) of vinyl. He’s also got a KILLER stereo system that allows him to record from his vinyl to CD. It would be a crime to lose all of that music for any reason.
A couple of weeks ago, he finally got a bug up his ass to work on it. Two days ago, I got the first installment: six CDs that he recorded for me (and Mom tells me that my siblings will get copies, too, so keep your panties on, kids). I get them first because, well, I asked for them first. And because I’m the oldest, and the parents, they love me best.
The first installment. I’m giddy ridiculously happy about the next installment or twelve. I’ve got 83 songs right now that I’m slowly working my way through on my walk to and from school. I have two David Allan Coe CDs (Once Upon a Rhyme and The Mysterious Rhinestone Cowboy) and a Waylon Jennings CD (Honky Tonk Heroes), as well as two mix CDs that he put together and a CD of a performance of a band that he played in, from a bar in Baton Rouge in 1976.
Y’all, I can’t put to words the awesomeness of this. It’s… beyond amazing.
Thanks, Dad. You have no idea what these mean to me.





